Wat Khian located in Moo 8, Tambon San Chao Rong Thong, Wiset Chai Chan District, Ang Thong Province, is one of the province's ancient temples, renowned for its exquisite mural paintings within the ordination hall (Ubosot). Situated only 12 kilometers from Ang Thong town, this temple has long attracted tourists and art enthusiasts alike, drawn to its historical and artistic significance.

 

The ordination hall at Wat Khian houses some of the most valuable artworks in the region. The current murals have been restored from their original form, which had suffered severe damage, primarily due to rainwater eroding the walls. In 1968, the ordination hall was in a state of significant disrepair, with the roof collapsing in parts, leading to further damage to the murals.

 

News of the temple's condition soon spread, drawing many to witness the original murals, including Her Royal Highness Princess Maha Chakri Sirindhorn, who visited Wat Khian to preside over the Kathin ceremony. Her Royal Highness graciously ordered the restoration of the Ubosot, with a focus on preserving its original features. During the restoration process, the old roof was removed, and a new one was installed. Additionally, the external walls were reinforced to protect the interior, ensuring the building's longevity. The restoration included the surrounding boundary stones (Bai Sema) and their pedestal bases, which are in the early Ayutthaya style, featuring intricate designs resembling those found at Wat Chaiwatthanaram in Samut Prakan.

 

The temple's mural paintings are a prime example of the artistry that characterized the Ayutthaya period. These murals depict scenes from Thai literature, historical events, and traditional Thai architecture. One notable painting is of the Manohra legend on the southern wall, showcasing the delicate and graceful Thai artistic style. Additionally, the painting of an octagonal fortress at the corner of the city walls, featuring two-tiered towers, reflects foreign influence, particularly from the reign of King Narai the Great.

 

Another notable aspect of the murals is the use of vibrant colors and intricate lines. The depiction of city gates and arched structures on the southern wall follows the design of spired mansions or palaces, reminiscent of those found in late Ayutthaya-period murals at Wat Mai Thepnimit. The painting of a tall palace with a pointed spire on the southern wall, colored with vermillion, exemplifies the traditional Thai painting style that has been popular since ancient times. The eastern wall features depictions of the Buddha and His chief disciples, wearing red robes typical of Ayutthaya art.

 

The restoration of Wat Khian not only preserved its architectural integrity but also safeguarded its cultural heritage for future generations. The Bai Sema, which surround the Ubosot, were meticulously restored. These boundary stones represent the early Ayutthaya style, characterized by intricate designs resembling those found at Wat Chaiwatthanaram in Samut Prakan.

 

Through the collaboration of the local community and various agencies, Wat Khian was revitalized, becoming one of the key sites that showcases the enduring beauty of Thai mural art and ancient architecture.

 

Wat Khian Ang Thong Province, serves as a harmonious blend of artistic beauty, architecture, and history. The mural paintings, crafted by skilled Thai artisans during the Ayutthaya period, have transformed this temple into a cultural destination that should not be missed by those interested in Thai art and history.